I use two Printmakers the first  Lux Editions and second is Laser Light   Lux Editions 4961 Windplay Dr El Dorado Hills, CA 95762 Phone: (916) 933-9378     ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||   Laser Light Printmakers was established by Bill Nordstrom to produce museum-quality color and black-and-white prints, using state-of-the-art digital methods. All digital imaging will be performed by Master Digital Printers Bill Nordstrom and Erik Peterson.  Laser Light is a small print-making lab, producing only the highest quality work.   Bill Nordstrom has over 50 years' experience making color separations and fine color photographic prints, including Tri-Color Carbro, dye transfer, Cibachrome, Type "C" and Type "R" printing. He also developed a well-known pigment transfer process and dye print process. He was a pioneer in bringing digital technology to the graphic arts field.   Erik Peterson has worked in the fields of color printing and digital imaging for nearly 20 years, including three years making custom Cibachrome prints. He is a skilled technician in both traditional photographic labs and the world of computers and digital printers.     "Supergloss" printing of continuous tone photographic prints on Fujiflex(tm) polyester media   Fujiflex(tm) is a new, super-glossy polyester base - as archival as Fuji Crystal Archive(tm) - with increased saturation and contrast. Supergloss is an excellent choice for images that really "pop" with rich color and lustrous gloss.   Pigment Giclée and Piezography(tm) Prints Pigment Giclée prints are beautiful long-life prints, ideal for art reproduction and photographs on fine art papers and a true canvas.   PIGMENT-BASED inkjet prints on our Roland HiFi Jet up to 50" wide by any length. We are printing on several different kinds of fine-art papers and canvas. Prints made on the Roland Sommerset Velvet paper were tested and rated by Henry Wilhelm at 120-150 years. This is about twice the life of the best photo paper.   PIEZOGRAPHY(tm) four-tone black-and-white printing is a process developed by John Cone of Cone Editions. It uses four different densities of carbon-based pigments. With this process, black-and-white prints have a continuous-tone look. When printing on fine art inkjet papers, the prints look much like a platinum print. By using carbon as the color agent the prints should be archival. They will last as long as the base. Testing is ongoing, but we expect them to be 200+ years.