I delight in the physical process of painting. First I prepare the surface, then I glue various papers or fabric and apply an underlayer of translucent colour. Sometimes the surface is reworked with scraping, engraving or stressing treatments. I like surfaces that look aged, ancient and rich. I love to experiment. The images I use are from nature: animals, insects, birds, plants, trees. For the past several years I have been working in encaustic. Although volatile, this medium hardens into stable surface with a sheen that can be polished with a cloth, and posesses a glowing depth of colour. The suface can also be sculpted and worked in various ways.